Sonica – part 2
On the back of a fascinating visit to Sonica festival in Glasgow back in October, I asked the team who lead the festival, Cathie Boyd and Claire Moran of Cryptic, […]
On the back of a fascinating visit to Sonica festival in Glasgow back in October, I asked the team who lead the festival, Cathie Boyd and Claire Moran of Cryptic, […]
A couple of weeks ago I took part in a sound piece called the Listening Choir at Fierce Festival in Birmingham. Listening Choir is a project that takes audiences on […]
Following on from my recent post about VR and music, I was lucky enough to attend a workshop on ‘Imperfect VR’ with Michael Straeubig at Vivid Projects. And I made […]
Virtual Reality is just a techy fad, isn’t it? What does it have to do with making and enjoying music? How can it really bring anything valuable to presenting gigs? […]
As part of the BOOM programme I’ve been spending a bit of time out and about recently, seeing artworks which take music and sound outdoors. At Bluedot festival last weekend […]
I wrote recently about the limitations of using artificial intelligence to curate music (which is something many music streaming services do) and the impact that might have on my job […]
Curating is becoming a buzzword, applied not just to art but to your Instagram feed, your Spotify playlists, your wardrobe, the contents of your fridge… Curating has been democratised: no […]